Twelve questions. Four minutes. At the end you get a read on how you work — what you're strong at, what's quietly costing you, and the one thing to do next.
You get that whether or not we end up working together. Pick your lane.
Why you can't skip this
Remote MXXING is the only thing behind this gate, and it's the only service we offer that can fail quietly. A beat, you hear it before you pay. A clean version, you send a finished song and get it back. But stems land in an inbox a thousand miles away, and if they arrive wrong, nobody finds out for a week — by which point you've paid and we've spent the time.
So we find out first. Most places take the money and discover the problem afterward, on your dime. We'd rather know before either of us is committed.
Nobody gets refused outright. Fail and you still keep the read, the guide, and every other door we have open. What you don't get is a MXX you'd have been disappointed by.
There's also a limit, and it isn't a marketing one. One engineer, human ears, no queue-jumping and no second pair of hands — so a finite number of records move through here in a week. Every slot that goes to stems we can't work with is a slot taken from someone whose record was ready. That is the whole reason this exists.
We're building rooms rather than franchises, and we'd rather turn work away than dilute it. Same principle, one floor up.
Pass and you're issued a key — yours, tied to your email, good for 90 days from any device. It's the only way in.